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Le Reél Merveilleux by Jean-Michel Othoniel

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Le Reél Merveilleux by Jean-Michel Othoniel

on its own, with the power to unify natural instincts with the imagination. Jean-Michel Othoniel, a revered French glass artist, has actually crossed oceans showing in galleries around the world and even made it into the long-term collection of the Louvre. Yet beyond the residencies and commissions for designers like Chanel, his biggest fascination is diving into public area to stimulate a sensory reaction from the viewers themselves.” It is really my position as an artist to try to bewitch the world,” Othoniel states.< img class=" aligncenter

size-full wp-image-123912″ src =” https://www.essentialhommemag.com/wp-content/uploads/2020/03/16A9943.jpg” alt=” jean michel othoniel” width=” 878″ height=” 1098″ srcset=” https://www.essentialhommemag.com/wp-content/uploads/2020/03/16A9943.jpg 878w, https://www.essentialhommemag.com/wp-content/uploads/2020/03/16A9943-504×630.jpg 504w, https://www.essentialhommemag.com/wp-content/uploads/2020/03/16A9943-768×960.jpg 768w, https://www.essentialhommemag.com/wp-content/uploads/2020/03/16A9943-540×675.jpg 540w” sizes=”( max-width: 878px )100vw, 878px”/ >< img class=" lazyload aligncenter size-full wp-image-123912" src=" data: image/svg+ xml,% 3Csvg% 20xmlns=% 22http:// www.w3.org/2000/svg%22%20viewBox=%220%200%20878%201098%22%3E%3C/svg%3E" data-src=" https://www.essentialhommemag.com/wp-content/uploads/2020/03/16A9943.jpg" alt=" jean michel othoniel" width=" 878" height=" 1098" data-srcset=" https://www.essentialhommemag.com/wp-content/uploads/2020/03/16A9943.jpg 878w, https://www.essentialhommemag.com/wp-content/uploads/2020/03/16A9943-504x630.jpg 504w, https://www.essentialhommemag.com/wp-content/uploads/2020/03/16A9943-768x960.jpg 768w, https://www.essentialhommemag.com/wp-content/uploads/2020/03/16A9943-540x675.jpg 540w" data-sizes="( max-width: 878px) 100vw, 878px"/ > Jean-Michel Othoniel in front of his La Rose du Louvre, 2019, Paris.|Thanks To Claire Dorn. His career began rapidly after graduating from the École Nationale Supérieure d’Arts de Paris-Cergy. At the 1992 documenta, a contemporary art exhibition in Kassel, Germany, that takes place every 5 years, his glass-blown sculptures were an instant hit. Othoniel’s glass bead modules became his signature, and have actually considering that been displayed as Les Belles Danses at the Versailles gardens in 2015 and Le Kiosque des Noctambules, as a permanent installation at the Métro Palais Royal station, among others. Outside of Paris, Othoniel has displayed at the Museum of Modern Art in New York City, Villa Médicis inRome, and Hara Museum of Contemporary Art in Tokyo. However it had to do with a decade ago that he returned to Paris, which seemed altered and much more appealing than during his early years. Managing a group of glassblowers, engineers, and service technicians, Othoniel resembles an architect or a commercial designer. Fewer artists select to try out glass as it is especially needy in terms of technical elements.

While glass is not his only medium, the complexity of the material gives his work a particular significance.” All those modules are extremely fragile, however it’s simply a look, in truth, due to the fact that it’s very strong glass,” he states.” I love that when you look at it it’s more womanly, subtle, and the idea of fragility is really crucial. “An artist who takesthe political and social into consideration, he changes major subjects into poetic material. He remembers the Bateau de Larmes( Boat of Tears) setup he provided for Art Basel in 2004 where he used a refugee boat filled with glass beads to represent tears– both of sadness and joy. The truth held true in Europe a years later on

with the migrant crisis.” I actually have this strong feeling that artists are individuals who can see the future,” he states.” We have visions.” < img class=" lazyload aligncenter size-full wp-image-123904" src=" information

: image/svg+ xml,% 3Csvg% 20xmlns =% 22http:// www.w3.org/2000/svg%22%20viewBox=%220%200%20787%20525%22%3E%3C/svg%3E” data-src=” https://www.essentialhommemag.com/wp-content/uploads/2020/03/slider9-2.jpg” alt= “jean michel othoniel” width=” 787″ height=” 525″ data-srcset =” https://www.essentialhommemag.com/wp-content/uploads/2020/03/slider9-2.jpg 787w, https://www.essentialhommemag.com/wp-content/uploads/2020/03/slider9-2-333×222.jpg 333w, https://www.essentialhommemag.com/wp-content/uploads/2020/03/slider9-2-630×420.jpg 630w, https://www.essentialhommemag.com/wp-content/uploads/2020/03/slider9-2-768×512.jpg 768w, https://www.essentialhommemag.com/wp-content/uploads/2020/03/slider9-2-675×450.jpg 675w” data-sizes=”( max-width: 787px) 100vw, 787px”/ > La Grande Vague, 2019, Paris, in stainless steel and glass bricks|Courtesy of Charlotte Piérot. Othoniel has also done operate in metal and ceramic sculptures along with calligraphy. His recent display in Qatar in front of the Jean Nouvel-designed museum is a trompe l’oeil( a kind of optical impression), as it looks like black glass however is actually metal painted in black. For the flower piece in the Louvre, Othoniel took to a completely various medium: painting. The abstract flower shapes are similar to calligraphy and show the motion and energy in a manner that glass can’t. In truth, it’s the sensuality that Othoniel states he looks for in the material he works with. He desires the texture to stimulate a desire in the viewer to touch and feel the piece instead of just being an observer.

Othoniel is now concentrated on architectural art pieces that one can actually walk inside. This real public art comes alive because it stands in free space, giving the onlooker the possibility to participate and engage with it from any perspective. Othoniel describes, “I love this feeling that art is strong enough to safeguard you and I wish to experiment with this in the city to offer individuals true art freedom.” The truth of public art is a dangerous matter because entering this area enables communication with everybody instead of entirely specialists and lovers. However he likes the uncertainty that comes with making art and belonging of the global neighborhood.

jean michel othoniel

jean michel othoniel

< img class =" aligncenter size-full wp-image-123913" src=" https://fabfourum.com/wp-content/uploads/2021/05/jH4hhO.jpg "alt=" jean michel othoniel "width=" 787 "height=" 1180" srcset=" https://fabfourum.com/wp-content/uploads/2021/05/jH4hhO.jpg 787w, https://www.essentialhommemag.com/wp-content/uploads/2020/03/5-420x630.jpg 420w, https://www.essentialhommemag.com/wp-content/uploads/2020/03/5-768x1152.jpg 768w, https://www.essentialhommemag.com/wp-content/uploads/2020/03/5-450x675.jpg 450w" sizes=" (max-width: 787px) 100vw, 787px "/ >< img class =" lazyload aligncenter size-full wp-image-123913" src=" information: image/svg+ xml, % 3Csvg % 20xmlns= % 22http:/ / www.w3.org/2000/svg%22%20viewBox=%220%200%20787%201180%22%3E%3C/svg%3E" data-src=" https://fabfourum.com/wp-content/uploads/2021/05/jH4hhO.jpg" alt=" jean michel othoniel" width=" 787" height=" 1180" data-srcset=" https://fabfourum.com/wp-content/uploads/2021/05/jH4hhO.jpg 787w, https://www.essentialhommemag.com/wp-content/uploads/2020/03/5-420x630.jpg 420w, https://www.essentialhommemag.com/wp-content/uploads/2020/03/5-768x1152.jpg 768w, https://www.essentialhommemag.com/wp-content/uploads/2020/03/5-450x675.jpg 450w "data-sizes=" (max-width: 787px) 100vw, 787px"/ >

Alfa, 2019, long-term display at the National Museum of Qatar.|Thanks To Martin Argyroglo by © Othoniel STUDIO. The artist likes to question permanence and ephemerality, and also the heaviness and lightness of subjects. And while his art is meant to exist indefinitely, he does question its légèreté, or levity.

” Feeling something ephemeral is bringing lightness,” Othoniel states. “It is so strong and emotional for me.” Including poetry to the subject secures the aspect of madness and strength. By doing this he can get in the individual area of the viewer, the mind, and the senses to experience his art on an absolutely separate wavelength. “The world didn’t alter,” he states. “Whatever is still there, however you need to make an effort to attempt to detach and to take a look at the world around you since it’s still the exact same magic and the exact same poetry.” –

Published at Fri, 27 Mar 2020 13:26:15 +0000

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